I will do cinematic color grading in davinci resolve as a senior film colorist

Yes, I can do whatever fits your needs best.

I don't usually use pre-made LUTs because I prefer to create an authentic look with customised LUTs that match the uniqueness of each project.

I have an FTP server that can handle up to 8TB of footage. There you can upload both the material and the project. FTP INFORMATION Public IP - 37.63.106.253 Port 21 Encryption - only use ftp

 USER-master
 PASSWORD - euro@123

You can always send me references and I'll make sure to create the look that you want for your project.

I use DaVinci Resolve but I except projects in: - DaVinci Resolve - Premiere Pro - Final Cut - Avid Media Composer I make sure to transfer the projects into DaVinci Resolve using XML files.

Color Society International (CSI) is an organization focused on the study and promotion of color in various fields. It provides a forum for professionals and enthusiasts interested in color to exchange ideas, share knowledge, and explore the many aspects of color.

Log or RAW footage (any camera — ARRI, RED, Sony, Blackmagic, Canon, DJI, iPhone ProRes Log) gives the most room to work. Standard/compressed footage can still be improved significantly — send me a sample and I'll tell you honestly what's achievable.

Often yes, within physical limits — clipped highlights and crushed blacks contain no recoverable information. For problematic material I offer a Heavy Footage Rescue extra: a repair pass before the grade that dramatically improves the final result.

Message me a short clip (or a link) before ordering. I'll grade one frame and send it back — usually within a few hours. You see exactly what your footage can become before spending anything.

Ideally an XML/EDL/AAF of your picture-locked timeline plus the source footage, or a flattened ProRes/DNxHR export. H.264 works too — just expect less grading latitude. Details are in the order requirements.