I will review your orchestral strings and give scoring feedback

Your strings should move people, not just fill space.

I'm Michael Connor, composer and string arranger with Michael Connor Music, and I help producers and composers make their MIDI strings and orchestra sound alive, emotional, and cinematic, in film and TV cues and in songs.

My music has been placed in CBS's Beyond the Gates and Lifetime's Tempting Fate, and I've arranged strings for Fred Hammond, Reggie Parker and Ana Sky.

Send me your cue and tell me what scene you're scoring and what you want the listener to feel. I'll listen through your lens and give clear, practical feedback on:

• Voicing and voice leading
• Articulations and realism
• Dynamics and expression (CC1/CC11)
• Orchestration balance and register
• Emotional impact: does it land?

You'll walk away with a one-page takeaway: exactly what to change and why, so the next cue is better too.

Best for new-to-intermediate composers and producers whose strings or orchestra sound programmed, who want to know why and how to fix it.