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I will professional, cinema quality colour grading
Matt Parker
About this gig
Professional colour grade delivered through a fully colour managed pipeline DaVinci Wide Gamut working space, delivered to Rec.709 Gamma 2.4. Every grade is built through a consistent 26 node professional tree covering input transform, primary correction, white balance, exposure, contrast, secondaries, look development, and finish.
I work with all major camera formats including Blackmagic RAW, ARRI LogC, Canon, Sony and standard MP4/MOV files.
Packages are based on total footage running time. For projects over 20 minutes please message me before ordering for a custom quote.
Turnaround times begin once all footage has been received and a clear brief provided. Please ensure files are transferred via WeTransfer or Google Drive no file sharing services requiring account creation.
My background is in professional film and broadcast lighting. I understand light from set to grade, and I bring that precision and cinematic intent to every project.
For feature length or complex multi-camera projects, message me directly.
Get to know Matt Parker
Matt Parker
Colour Grading Artist
- FromUnited Kingdom
- Member sinceJun 2026
- Avg. response time1 hour
Languages
English
I am a professional gaffer turned colourist. I understand light from set to grade — bringing precision, depth and cinematic intent to every frame.
I offer professional standard and cinema level colour grading for a whole range of projects from low budget passion pieces through to larger scale feature work!
My Portfolio
FAQ
What file formats do you accept?
I work with R3D, Blackmagic RAW, ARRI LogC, Canon CR3, Sony RAW, ProRes, MP4 and MOV. If you're unsure whether your format is supported, message me before ordering.
How do I send you my footage?
WeTransfer or Google Drive are preferred. Please do not use file sharing services that require account creation. Include a brief note on the look you're after — a reference film, a mood, or a colour direction.
What do you deliver back to me?
Graded footage exported to Rec.709 Gamma 2.4 as MP4 or ProRes depending on your needs. Standard and Premium packages also include the Resolve project file. I can deliver LUTs on request.
Can you grade LOG footage straight from camera?
Yes — this is where the best results come from. I apply a full colour space transform from your camera's native format into my working colour space before grading, preserving maximum dynamic range.
What colour space do you work in?
DaVinci Wide Gamut / DaVinci Intermediate as my working colour space, delivered to Rec.709 Gamma 2.4. This is a fully colour managed professional pipeline.
What if I don't know what look I want?
That's fine — most clients don't. Send me a reference film, a mood board, or just describe the feeling you want. I'll propose a direction before committing to the full grade.
What counts as a revision?
A revision is one round of consolidated feedback applied to the grade. Please gather all notes before submitting — each separate feedback session counts as one revision. Additional revisions are available as an add-on.
Can you handle feature length projects?
Projects over 20 minutes aren't covered by standard packages. Message me directly with your footage duration and brief and I'll provide a custom quote. Feature length work is available.
